The resonator and I have lived a troubled existence together. It's been around twenty two years I believe. It was an impulse buy, done with little thought or planning. Such are impulses. I don't regret it either. I've used it more than I actually think I have but for the last three years or so it was fitted with a poor choice of strings (allegedly designed for a resonator but thick, dull and lifeless) and has been one of those guitars that hangs on a wall like a stopped clock in your granny's house.
It was supposed to make me sound like Ray Davies and perhaps write a few songs like him and moreover with it's tidy lipstick pickup I'd also master the blues and perfect my woeful slide guitar technique. These are the stories, roughly hewn from a warped imagination and a failure to grasp my own level of technical ability, that I told myself in quiet whispers. Every guitar player does this but not many would admit to it. It's a dickhead thing. So I decided to freshen the up caged beast and try again. Procrastination be damned.
Off came the strings and all the various screws and ironmongery were removed. In the frail tin cone there was a significant build up of dust and debris, the fingerboard was dirty and the wooden bridge needed a decent shave. The metalwork was treated with all purpose Brasso (got scratches on your car's body work? Apply Brasso, wait a bit and then polish it up like a vigorous idiot and hey presto ... ).
Cleaning it up, fixing the action and restringing it didn't take very long and soon it was back to it's normal unattractive self, which I happen to find attractive. A slightly below par normal I suppose but much more playable and dare I say likable than it had been before. I took it easy to begin with, plunking out "Fisherman's Blues" complete with the violin part and then a muted version of "Freebird". Odd choices I know but we're talking about my own rehabilitation as much as the guitars'. Now it's back, once again hanging on the wall. I wonder what might happen to it next?