It was a long time ago now. 1985. That's over 41 years that have passed. We were living in Bath, on Great Pultney Street at the time, and I was a mature but immature student on a Bristol University course. I was mostly eating jam donuts and larking about in between assignments. Every other lunchtime I'd go for a run along the canal, hurried on by younger and fitter fellow students.
These are just fleeting thoughts from the heartland of the UK's colonial dustbin somewhere beyond the wall of sleep. Odd bits of music and so-called worldly wisdom may creep in from time to time. Don't expect too much and you won't feel let down. As ever AI and old age are to blame. I'll just leave it there ...
Tuesday, October 20, 2026
Solsbury Hill
It was a long time ago now. 1985. That's over 41 years that have passed. We were living in Bath, on Great Pultney Street at the time, and I was a mature but immature student on a Bristol University course. I was mostly eating jam donuts and larking about in between assignments. Every other lunchtime I'd go for a run along the canal, hurried on by younger and fitter fellow students.
Monday, October 19, 2026
Antonio Pinto de Carvalho
APC EA200 OVA: Here's a guitar that I picked up dirt cheap on eBay a few years ago. It needed some work. It's hand made and a rare, in their range, steel strung guitar from APC Luthiers in Portugal. I used it on the Collection album for a couple of things that were in a drop D tuning, then stuffed it into a case at the back of the cupboard and quietly forgot about it.
I just looked at it again the other day and I've given it a fret tidy, a new nut, new strings and reset the action. The pickup was added by the previous owner and works fine despite looking a little strange. It's turned out pretty good, quite a comfortable and easy guitar to play.
Antonio Pinto Carvalho is/was a distinguished Portuguese luthier, recognized for his exceptional craftsmanship with stringed instruments - but he did have a factory and workers. Their output includes a variety of traditional style instruments such as guitars, cavaquinhos, and ukuleles.
Not very many of this type 👇though.
Sunday, October 18, 2026
I Thought It Was Spaghetti In Her Hair
It's an easy enough mistake to make. We've all been there. Don't let it bring you down. It never was spaghetti. Good news: you can own a copy of the original artwork (as above) quite easily but I'm not going to tell you how to do it. Frustration is good for the soul, so they say. Success in life requires determination, patience and treachery.
Friday, October 16, 2026
Satire
This is satire … and like all great satire, it exposes the truth but it's not real. Not written by me either. I just copied it into the page. I didn’t know who wrote it but I know now.
Unexpected Magic
The sword in the stone: Here's a 12th century relic from the Abbey of San Galgano. In 1180 Galgano Guidotti decided to renouce violence and warfare and thrust his sword into the rock as sign of his conversion to a life of peace and piety.
"According to legend, while on the road near Siena, Galgano's horse threw him into the dust. An invisible angel, the archangel Saint Michael, lifted him to his feet and led him to Monte Siepi, a rugged hill close to his home town of Chiusdino."
"Galgano settled on the hill as a poor hermit. He befriended wild animals, and once, when the Devil sent a wicked monk to kill him, the wild wolves brought down the killer and gnawed his bones. Galgano died in 1181 aged 33 years."
"In 1960, the sword was broken in an attempted theft. It was repaired and fixed in place with cement.""An analysis of the protruding metal handle done in 2001 by Luigi Garlaschelli confirmed that the "composition of the metal and the style are compatible with the era of the legend". The analysis also confirmed that the upper piece and the invisible lower one are authentic and belong to one and the same artifact."
Thursday, October 15, 2026
Ovation
I haven't had this old Ovation guitar out of it's formidable flight case for a couple of years. It was almost perfectly in tune out of the box but the electrics are a bit goosed. Hence the spray cans and some annoying fiddling about that I had to do. There were some slight improvements after a while.
These are odd guitars. Tight and heavy. The plastic bulge of the back body shape makes them awkward to play standing up and/or sitting down. It's a very physical thing. The action is OK but ... it needs lighter strings. Sounds good though. Maybe my fingers have lost strength over the last few years. I need to toughen up. Mess about less.
You can't beat fighting with a guitar ... said nobody ever.
Sunday, October 11, 2026
October
Another piece of solid truth from the internet: I might have known ... some medieval scribe may have decided that the symbol for my birth month should be a cat licking it's bottom. I think this is also available as a tattoo. Obviously I'm seriously considering the possibility of getting that done right now. Perhaps on my bottom. No gain without pain etc.
Saturday, October 10, 2026
Lightning Bolt
I’ve been experimenting with an LP Junior and an SG Junior, trying different wraparound bridges but always finding them troublesome. Often, they simply don’t go low enough, and actual intonation accuracy isn’t really possible. It’s fiddly, without delivering consistent results.
So I’ve reverted to the old school lightning bolt design, named after the zigzag intonation pattern cast into the bridge itself. Unlike a Tune-o-matic, where individual saddles can be adjusted to alter the length of each string, the lightning bolt has a fixed compensation pattern. String length is adjusted only by rotating the bridge on its two mounting studs, moving the contact points for all six strings together. This is a compromise, but one that seems to work well enough in practice.
The picture above shows two Tune-o-matic-style wraparound bridges and a Wilkinson model that allows partial intonation adjustment on the G and B strings. I wasn't happy with it. More importantly, the mounting arrangements don’t allow the bridges to sit low enough on the studs, which limits how far I can lower the strings to achieve the action I want. All that extra adjustment flexibility is of little use if the bridge itself won’t sit at the right height.
Lightning bolt on the SG: Sits nice and stable. The wraparound feature provides good tension, and the intonation is pretty much OK (close enough for jazz) without a lot of messing about.
Lightning bolt on the LP: Seems well enough bedded in, despite not being under full tension because I’ve added a small tailpiece as an anchor. I did this a while ago, when I got fed up with the Wilkinson bridge. It's hybrid design and Allen screw slide adjustments made it too awkward to adjust, so I ended up using it as a dumb bridge.
The lightning bolt was added recently. I kept the unorthodox tailpiece, and the whole thing looks neater to me.
LBs are £10 on eBay if you're quick.
Wednesday, October 07, 2026
It's All True
"It's all true, up to a point. But never be afraid to say a firm no to cigarettes and existentialism. Drinking doesn't help either but I really wouldn't know. Perhaps that's going too far. Don't take my word for anything."
From the big book of the "same name as nobody" by my good friend and fellow bass player Jules Delorean.
Tuesday, October 06, 2026
La Joie de Vivre
George the cat scuttles up a tree and a few seconds later appears near the top. Not quite sure why he's there or how he got there. He's pleased. I know that feeling well, though you'll seldom find me stuck at the top of a tree. I'm glad that the cats have enough of La joie de vivre to pull this kind of thing off. Be a little more cat - but don't throw up fur balls onto your carpet.
Pics by AG - using telephoto drone tech.
Monday, October 05, 2026
Wonky Pears
Still life of some sort: Ladies and gentlemen, I give you a fine selection of wonky pears. Did I grow them, did I buy them? No I did not. But I can confirm that they came from a reasonably local, not too far away source. Are they at all edible? Absolutely not.
Sorry about the gratuitous use of a banned "A" word there but I suffer from a limited vocabulary. Weak thoughts and mumbled prayers are required.
Sunday, October 04, 2026
Somewhere in Skopje
Above: From our TA clan representative in Skopje. Macduff and that other national drink "Moray Cup" are now celebrated in a pub light fitting.
Below: One of the better bits of poetic lyric writing forming a fitba chant. Balamory v Pocognoli. Genius. Sound clip omitted but you can imagine.
Friday, October 02, 2026
Wefail Art
If you're the kind of knockabout person who likes to dress up their abode with some politically tinged artwork, then the people (?) at Wefail Art are right up your unloved and potholed street. It's not cheap, it's not free, but it is art after all, and more fun than a rogue "Ring" front door security system.
Thursday, October 01, 2026
In the Voice of a Goat
"I'm not a faun, but I just might be a goat. An old goat. Probably the one on its hind legs. At least that's what I'd like to think. But perhaps I'm more the one behind, standing slightly further away. Yes.
I'm uncomfortable. A reluctant participant. I'm answering the call. A bit half hearted about it. No good will come of this. Pan can be unpredictable. I don't want to end up as goat's head soup either.
Woodland creatures and actual gods are beyond my understanding of things.
Besides, this is no Piper at the Gates of Dawn. This is a faun by moonlight. We should all be asleep.
It was me who saw it first. It's a proper full moon. That could be an explanation. A bright light arriving at the wrong place and time. It caught him out. As if he was not able to read the signs. Or perhaps he read them perfectly. He's a star gazer. Everybody can have a theory.
Maybe that's why Pan is so reckless. He's a little confused. Too much stimulation. Too many messages from beyond the heavens.
Or is he just happy, being himself?
I wonder if we all simply got in his way. I'm fairly certain this is our meadow.
But I haven't danced in a long time and it looks like fun.
There's something strangely sweet in that tune, drifting out and across in the moonbeams. Like it wants to take us somewhere.
As for those shadows, I'm not sure they're ours at all.
They seem to have arrived by themselves."
Faun by Moonlight - By Léon Spilliaert.




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