In another wayward Bob Dylan connection beyond yesterday's auction sites piece, I rewatched the Band's farewell concert, the Last Waltz. Famously filmed by Martin Scorsese - about whom we probably all have opinions. Generally regarded by God knows who as "the best live concert film ever" (it isn't) I chose to get reacquainted with this historical work. I'd not seen for many years and wondered how it stood up so long after it's 1978 release (the concert was in '76). In a nutshell it's pretty messy and a little peculiar and of it's time, the mid 70's wasteland. The filming and the audio are actually fine, the style and content however are a bit strange, grimy looking and obviously dated. The Band's performances are split by special guest appearances for whom they also provide backing. This gives the concert a patchwork and incoherent quality. The encore is the first song in the film and so it goes on randomly as the various turnarounds take place.
The Band: Playing is crisp and tight, most of the songs still work well for me, good live arrangements too. Not so great was Robbie Robertson's shrill and thin guitar sound (his playing is top drawer though). I became more irritated with it as it carried on, pretty much into every tune. A bad guitar tone can kill the mood. There's a weird halo effect on him too that's annoying, his smiley face is pretty much in every stage shot. The literal spotlight kid. I can understand something of the various band member quarrels that took place in the aftermath. The congestion on the stage doesn't help, I can imagine it as being a pit of body odour and foul breath, someplace you'd want to get away from quickly. Apart from pinup Robbie the rest of the band look like nameless misfits - but after all they were just very talented but plain and ordinary guys and that was part of their appeal. Rick Danko, Richard Manuel, Levon Helm, Garth Hudson, Robbie Robertson were that Band.
The interviews: Slotted in randomly it seems, don't impress me either. The "road" gets way too many mentions, of course it was a thing at the time, a common band experience they all could moan about and cover in their songs. Despite the inspiration it provided for countless tunes and lyrics it still gets a bad rap. Poor old road. The obvious drug influences running in the background don't allow for actual clarity of conversation either and I didn't feel any sense of understanding or empathizing with the musician's plight or situations. They seemed just a bit creepy and unaware, set up in their dark and sombre temple of artistic privilege. Maybe they were all just tired and worn out by the whole experience: precious, fickle things. What does it all mean anyway? The audiences will move on once you go, no matter how much the seem to love you now.
Guests: OK, Van Morrison's bit is terrible. He looks like a poundshop Freddy Star and despite the energy he exudes it's really just embarrassing to watch him. He's not aged well even at that point in his career. Neil Diamond: I was never a fan but this isn't his finest hour either, gravelly and grumpy looking. It's hard to watch Neil Young too, for some reason he's doing a coked up and truly dull version of "Helpless", a weak and laboured song if ever there was one. On the plus side I liked Ronnie Hawkins and Muddy Waters (old guys just doing what they could), Eric Clapton was "professional", Bob Dylan was himself really, all you'd expect and no sign or mention of his alleged tantrums. Joni Mitchell looked light years ahead of all the three chord blues plodders by singing the freshly written "Coyote". A lyrical and tuneful masterpiece by comparison with the rest of the fare in my opinion. I also enjoyed the bare-bones back lot filmed performance of "Evangeline" along with Emmylou Harris's spectral and effortless vocals. And so the mist returns for a time and the waters close over as darkness falls.
In the end: When this was filmed I'd moved away from progressive and heavy bluesy rock. I was listening to stuff like Little Feat, Poco, Steely Dan and occasionally the Band and Dylan. All phases pass and tastes change. It's a hollowed out chunk of history now. Perhaps those were the good old days, perhaps not. People have died and moved on and the world's a different and more complex place, well my world is. I don't think I need to watch this film ever again but many of the songs are still in my head and that's not a bad thing. That's what songwriters want. So long and thanks for all the ... mental turbulence.