Sunday, May 19, 2019


Madonna wears a Saltire eye-patch to show solidarity with oppressed countries etc. etc.

Whilst I managed to avoid most of the Eurovision Song Contest I did catch Madonna's performance and the chaotic final scoring system. Both parts of the show I saw were high on camp, a lack of self awareness and numerous examples of poor judgment. Too much of everything. I felt conflicted over the whole over produced event, a boycott seemed like the right thing, just wreck the contest and show Israel what "we" actually think of their treatment of Palestinians but there's an awkward argument surrounding culture and politics that I kind of defer to.

Anyway I only watched 40 minutes or so of the pop-gloop so I don't feel too guilty this morning. I actually felt sorry for Madonna, she looked frail and "preserved" and her singing was off. Kindly critics blamed the fold back and techy vocoder stuff that was going on. No, she's just lost a bit of energy and ability and that happens, money and rehearsals can't fix everything. She's even a bit wobbly on those once famous dancing feet. She was also channeling that "dumb American in the Middle East" thing (see also dumb British person in the Middle East). She had a message, odd to hear Madonna say "wake up" to the world then pin small Israeli and Palestinian flags to her dancer's backs. The equivalent of throwing a milkshake I guess. I wonder if they'll retain some of her fee over this?

It all just jars a bit and of course the fawning and clumsy Israeli hosts struggled to deal with such a mega presence. Ugh! After the stilted and fabricated scoring system rose  expectations to a crescendo of cliche and tinsel a bloke called Duncan won, he was representing the Netherlands. His song has been a big hit all across Europe ... well over my head.

Meanwhile in Palestine, as the showbiz tack is dismembered in Tel-Aviv and Madonna continues to promote her new album,  fuck all has changed and Israel will remain the dominant aggressor and oppressor for the Palestinian people.

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