Tuesday, February 28, 2017

Larger than original

The contrast setting is the greatest tool, it throws the shadows into the forefront, pulls the black into the limelight, squeezes the grey into a great dark void, traps light and sucks the very life from it, sharpens lines and boundaries, redefines edges and lines, cloaks and masks and pulls what was once of no significance onto centre stage, kicking and screaming. There.

No comments:

Post a Comment