Blue tin of biscuits.
Vox bass, similar but not the same.
A visit from Fingers Farrell prompted the opening of the blue biscuit tin, the one that has been on top of the fridge for a month patiently waiting on Christmas, visitors or some kind of domestic emergency. I only ate three, not sure how many the others ate. The purpose of the visit was to collect an ailing Vox Bill Wyman bass dating back to around 1964. It was played regularly in the 70s and 80s (by me) and then after a holiday up north spent a few years forgotten and somewhat neglected in lofts and cupboards. The lacquer is cracking, both pick ups are broken (but original) and various parts are loose, mouldy, rusted or seized. A fine project for any guitar enthusiast and I trust Mr F to do a fine fixing job on it.
Electronic drums are fab. Not the wee Dr Rhythm type I mess with or fiddly machines but the big, full size kits that can sound like anything you like. Brilliant in fact, as I discovered today watching somebody who knew a thing or two working out on such a kit. Why did they not catch on?
Electronic drums are fab. Not the wee Dr Rhythm type I mess with or fiddly machines but the big, full size kits that can sound like anything you like. Brilliant in fact, as I discovered today watching somebody who knew a thing or two working out on such a kit. Why did they not catch on?
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