The day I first tasted Stilton: I was
at least 29 years of age, immature (in most cheese related areas) and about to receive a
certificate celebrating my unplanned success in economic studies and
statistics from Bath University. Before the action my troop and I
rested briefly at the Hare and Hounds pub up in Endsleigh and I
ordered a ploughman's lunch. When it came I gasped (inwardly), the
plate (and the lunch laid out on it) was huge, great slabs of
mysterious cheeses, crusty breads and a small mountain of salad and
pickle, all for £3.99. As I'd consumed about three pints of Guinness
by this point my taste buds were sharp as a Swiss Army knife in a hot
trouser pocket. The Stilton hit me like raw opium, hammered in with a
blunt cork-screw. The rest of the afternoon remains a blur but I do
have a photograph somewhere showing me holding a buff certificate but as evidenced by my stupid grin clearly hallucinating on a strong cheese based narcotic. It was 1985, a longer year than normal by all accounts.
166 v Mondeo: Moving away from my weaker Alfa
moments I decided to sit in a keenly priced Mondeo in order to weigh
up the practical side of the competition. The Ford is rock solid,
everything appeared to be working and it was all pleasantly familiar,
a sensible buy and easy to live with like a faithful slave. Then I
thought about the Alfa again, a complete bitch of a car, an interior
like a Renaissance moon rocket, designed by Italian alcoholics, lines as sexually
enticing as a set of stiletto knives doubling as shoes, leather and chrome
mixed up in a stylistic mess of sci-fi and steam punk. Fiddly, failing
electronics, mad ergonomics, short legged seating and an engine that
looks like it was conceived in Oz, built in the iron hearted forges
of Middle Earth and then polished by the sun on some Alpine peak.
Bugger this.
Baffling packages of inconsequential
poo: Frank Zappa said; “Popular American musical taste is determined by
a 13 year old girl called Debbie, the daughter of average,
God-fearing American white folk, unwitting dupes of the 'Secret
Office Where They Run Everything From'. Serious contemporary
composers are superfluous to American society and should remove
themselves from this world before it removes them, they should throw
some Cyanide and swizzle it into the punchbowl along with some of
that white wine that 'artistic' people really go for.” I'm sure it
made a lot of sense at the time (same decade as my cheese graduation), it still does (apart from the
inexplicable explosion in Hip Hop and Gangsta-Rap which came from
somewhere else altogether and is equally depressing and disturbing).
At least it doesn't pretend to be pop. Meanwhile my open D tuning revisit is yielding all sorts of non-populist and non-inconsequential possibilities, Frank would be proud of me.
No comments:
Post a Comment