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So was Della Street obsessive with the secretarial and office skills she provided for Perry Mason or did she just suffer from an unrealised, unrequited love for the detective bloke who was, in real life the son of Hedda Hopper who also may have been a relation of Dennis Hopper but no relation to the cartoon grasshopper "Hopper" in the film "Bugs Life"? The answer to this and many other questions is of course out there somewhere.
Recording sagas: The word "ambient" springs to mind as both a description and a damning criticism for my latest efforts. Why are structures so hard to find? Why are song constructions either so forced that they jar and irritate or so loose that they drone on in no particular direction? Creation comes from obsession and my obsession sessions are not running on long enough with enough sustained effort to get them over the critical hump. As somebody famous and in the recording know might have said, "a lot of "B" sides in there son". It's a start.
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